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Xref: bloom-picayune.mit.edu comp.dsp:4662 news.answers:4079 Path: bloom-picayune.mit.edu!snorkelwacker.mit.edu!usc!zaphod.mps.ohio-state.edu!saimiri.primate.wisc.edu!ames!agate!agate!usenet From: phil@ohm.Berkeley.EDU (Phil Lapsley) Newsgroups: comp.dsp,news.answers Subject: comp.dsp FAQ [1 of 2] Supersedes: <dspone_720140326@ohm.berkeley.edu> Followup-To: poster Date: 17 Nov 1992 05:23:42 GMT Organization: University of California at Berkeley Lines: 1237 Approved: news-answers-request@MIT.Edu Distribution: world Message-ID: <dspone_721977817@ohm.berkeley.edu> NNTP-Posting-Host: tukey.berkeley.edu Summary: This is a periodic posting to comp.dsp that gives information on frequently asked questions asked in this newsgroup. Archive-name: dsp-faq/part1 Last-modified: Mon Nov 16 1992 Version: 0.7 Welcome to the comp.dsp FAQ. We are seeking information on all topics, from the best layout (e.g., should chips and prototype boards be another FAQ?) to a good annotated list of DSP articles and reference books. Please email your suggestions to comp-dsp-faq@ohm.Berkeley.EDU. Meta-comments are all in curly braces {like this}. Acknowledgements to people responsible for articles and/or bits of information are in square brackets, [like so]. You can ftp the very latest version of this FAQ from: evans.ee.adfa.oz.au (131.236.30.24) in pub/dsp/dsp-faq.help, or from copernicus.Berkeley.EDU in dsp-faq.help.*. We are most grateful to the following contributors who helped out with this version of the FAQ: William Alves alves@calvin.usc.edu Steve Clift clift@ml.csiro.au Dan Frankowski dfrankow@cs.umn.edu Ed Hall edhall@rand.org Quinn Jensen jensenq@qcj.icon.com Greg Koker greg.koker@analog.com Juhana Kouhia jk87377@cc.tut.fi Tony Richardson amr@mpl.ucsd.edu Paul Simoneau pas1@kepler.unh.edu Witold Waldman witold@hotblk.aed.dsto.gov.au and the following folks who helped out with previous versions: Joe Campbell jpcampb@afterlife.ncsc.mil Tim Channon tchannon@black.demon.co.uk Malachy Devlin madmal@spd.eee.strathclyde.ac.uk Brian Evans evans@markov.eedsp.gatech.edu John Fisher johnf@dsp.sps.mot.com Dan Frankowski dfrankow@cs.umn.edu Maurice Givens maury@tellabs.com Ed Hall edhall@rand.org Vince Herried vjh21@cas.org Eric Jacobsen ericj@hwcae.honeywell.com Pete Janzow pjanzow@prenhall.com Richard Kim richard@math.mit.edu Gints Klimanis gints@roadkill.esd.sgi.com Greg Koker greg.koker@analog.com John Lazzaro lazzaro@boom.CS.Berkeley.EDU Paul Russell paulr@syma.sussex.ac.uk Stanley Sasaki stans@tekig7.pen.tek.com Bill Schottstaedt bil@ccrma.stanford.edu Greg Smart rcogs@citri.edu.au Andrew Ukrainec ukrainec@nimios.Eng.McMaster.CA Ronnin Yee ronnin.yee@analog.com Get your name here - contribute something! (If you don't want your email address listed in your contribution, please indicate so.) Phil Lapsley phil@ohm.Berkeley.EDU (temporary FAQ maintainer) Bradley Hards hards@ee.adfa.oz.au (original FAQ maintainer) ============================================================================= 0. What is comp.dsp? 1. General DSP. 1.1 DSP book and article references. 1.1.1 Bibles of DSP. 1.1.2 Adaptive signal processing. 1.1.3 Array signal processing. 1.1.4 Windowing. 1.1.5 Digital audio effects processing. 1.2 Where can I get free software for general DSP? 1.2.1 What is Gabriel? Where can I get it? 1.2.2 What is Ptolemy? Where can I get it? 1.2.3 What is Khoros? Where can I get it? 1.2.4 What are DSP Tutorials? Where can I get them? 1.2.5 What are some DSP extensions to MATLAB? Where can I get them? 1.2.6 What is the Signal Processing Package for Mathematica? Where can I get it? 1.2.7 What is the Controls System Package for Mathematica? Where can I get it? 1.2.8 What are some other DSP Notebooks for Mathematica? 1.2.9 What is the Linear Systems Toolbox for Maple? Where can I get it? 1.2.10 Where can I get text to speech conversion software? 1.2.11 Where can I get filter design software? 2. Algorithms and standards. 2.1 Where can I get some algorithms for DSP? 2.2 What is CELP and LPC? Where can I get source for them? 2.3 What is ADPCM? Where can I get source for it? 2.4 How does pitch perception work, and how do I implement it? 2.5 What standards exist for digital audio? What is AES/EBU? What is S/PDIF? 2.6 What is mu-law encoding? Where can I get source for it? 2.7 How can I do CD <-> DAT sample rate conversion? 3. Programmable DSP chips and their software. 3.1 What are some current, popular programmable DSP chips? 3.2 Software for Motorola DSPs. 3.2.1 Where can I get a free assembler for the Motorola DSP56000? 3.2.2 Where can I get a free C compiler for the Motorola DSP56000? 3.2.3 Where can I get algorithms or libraries for Motorola DSPs? What is the number for the Motorola DSP BBS? 3.2.4 Where can I get NeXT-compatible Motorola DSP56001 code? 3.3 Software for Texas Instruments DSPs. 3.3.1 Where can I get algorithms or libraries for TI DSPs? What is the number for the TI DSP BBS? 3.3.2 Where can I get a free C compiler for the TMS320C30? 3.4 Software for Analog Devices DSPs. 3.4.1 Where can I get algorithms or libraries for AD DSPs? What is the number for the Analog Devices DSP BBS? 4. Hardware. 4.1 DSP development boards. 4.1.1 IBM PC. 4.1.2 Mac Nubus. 4.1.3 SBus. 4.1.4 VMEbus. 4.1.5 Next bus. 4.1.6 SCSI bus. 4.1.7 Standalone. 4.2 Who makes AES/EBU chips? 5. List of manufacturers, addresses, and telephone numbers. To search for a particular question within a text editor, look for the pattern "Q#.##:", e.g., "Q1.2:". ============================================================================= Q0: What is comp.dsp? Comp.dsp is a worldwide UseNet news group that is used to discuss various aspects of digital signal processing. It is unmoderated, though we try to keep the signal to noise ratio up :-). If you need to ask a question that isn't in the FAQ, and can't figure out how to post, consult news.newusers.questions. Other relevant news groups are comp.compression and sci.image.processing. ============================================================================= 1. General DSP. This section deals with general DSP, that is, DSP books, algorithms, and packages that are not related to a particular manufacturer's DSP chip. ========================================================================= Q1.1: Summary of DSP books and significant research articles. Q1.1.1: Bibles of DSP. A.V. Oppenheim and R.W. Schafer, "Digital Signal Processing", Prentice-Hall, Inc., Englewood Cliffs, N.J., 1975. A.V. Oppenheim and R.W. Schafer, "Discrete-Time Signal Processing" Prentice Hall, Englewood Cliffs, New Jersey 07632, 1989. ISBN 0-13-216292-X This is an updated version of the original, with some old material deleted and lots of new material added. L.R. Rabiner & R.W. Schafer, "Digital Processing of Speech Signals", Prentice Hall, 1978, ISBN 0-13-213603-1. R. E. Crochiere & L. R. Rabiner, "Multirate Digital Signal Processing", Prentice-Hall, 1983, ISBN 0136051626. This book is the only real reference for filter banks and multirate systems, as opposed to being a tutorial. Thomas Parsons, "Voice and Speech Processing", McGraw-Hill, 1987, ISBN 0-07-048541-0. Addresses the cocktail party effect, as well as other material. [Maurice Givens, maury@tellabs.com] -------------------------------------------------- Q1.1.2: Adaptive signal processing. S. Haykin, "Adaptive Filter Theory", 2nd Ed., Prentice Hall, Englewood Cliffs, NJ, 1991. B. Widrow and S.D. Stearns, "Adaptive Signal Processing", Prentice-Hall, Inc., Englewood Cliffs, N.J., 1985. -------------------------------------------------- Q1.1.3: Array signal processing. J.E. Hudson, "Adaptive Array Principles", IEE London and New York, Peter Peregrinus Ltd. Stevenage, U.K., and New York, 1981. R.A. Monzingo and T.W. Miller, "Introduction to Adaptive Arrays" John Wiley and Sons, New York, 1980. S. Haykin, J.H. Justice, N.L. Owsley, J.L. Yen, and A.C. Kak "Array Signal Processing", Prentice-Hall, Inc., Englewood Cliffs, N.J., 1985. R.T. Compton, Jr., "Adaptive Antennas, Concepts and Performance", Prentice-Hall, 1988, ISBN 0-13-004151-3. -------------------------------------------------- Q1.1.4: Windowing articles. F. J. Harris, "On the Use of Windows for Harmonic Analysis with the DFT", IEEE Proceedings, January 1978, pp. 51-83. Perhaps the classic overview paper for discrete-time windows. It discusses some 15 different classes of windows including their spectral responses and the reasons for their development. [Brian Evans, evans@eedsp.gatech.edu] Nezih C. Geckinli & Davras Yavuz, "Some Novel Windows and a Concise Tutorial Comparison of Window Families", IEEE Transactions on Acoustics, Speech, and Signal Processing, Vol. ASSP-26, No. 6, December 1978. [Bob Beauchaine, bobb@vice.ico.tek.com] Lineu C. Barbosa, "A Maximum-Energy-Concentration Spectral Window," IBM J. Res. Develop., Vol. 30, No. 3, May 1986, p. 321-325. An elegant method for designing a time-discrete solution for realization of a spectral window which is ideal from an energy concentration viewpoint. This window is one that concentrates the maximum amount of energy in a specified bandwidth and hence provides optimal spectral resolution. Unlike the Kaiser window, this window is a discrete-time realization having the same objectives as the continuous-time prolate spheroidal function; at the expense of not having a closed form solution. [Joe Campbell, jpcampb@afterlife.ncsc.mil] -------------------------------------------------- Q1.1.5: Digital Audio Effects Processing. Books (in no particular order, sorry): Hal Chamberlin, Musical Applications of Microprocessors, 2nd Ed., Hayden Book Company, 1985. Barry Blesser and J. Kates. "Digital Processing in Audio Sinals." In A. V. Oppenheim, ed. Applications of Digital Signal Processing. Englewood Cliffs, NJ: Prentice-Hall, 1978. Digital Signal Processing Committee of IEEE Acoustics, Speech, and Signal Processing Society, ed. Programs for Digital Signal Processing. New York: IEEE Press, 1979. John Strawn, ed., "Digital Audio Signal Processing: An Anthology.", Los Altos, CA: W. Kaufmann, 1985. [Contains Moorer J.A. "About This Reverb..." and contains an article which gives a code for Phase Vocoder -- great tool for EQ, for Pitchshifter and more --Juhana Kouhia] Charles Dodge and Thomas A. Jerse. Computer Music: Synthesis, Composition, and Performance. New York: Schirmer Books, 1985. F. Richard Moore, "Elements of Computer Music", Englewood Cliffs, NJ: Prentice-Hall, 1990. ISBN: 0-13252-552-6 [Recommended. --Juhana Kouhia] Curtis Roads and John Strawn, ed., "The Foundations of Computer Music", Cambridge, MA: MIT Press, 1985. [Contains article on analysis/synthesis by Strawn, recommended; also an another article maybe by J.A. Moorer -- Juhana Kouhia] John Strawn, ed., "Digital Audio Signal Processing", 283 pages, $34.95, ISBN 0-86576-082-9, pub: A-R Editions. Contents: 1. Introduction to the mathematics of DSP (F. Richard Moore) [Not a bad little text] 2. Introduction to digital filter theory (Julius O. Smith) [Not a bad little text, either] 3. Spiral Synthesis (Tracy Lind Petersen) [first published account of a new synthesis technique] 4. Signal processing aspects of computer music (J. A. Moorer) [James Moorer's classic article--discusses many synthesis techniques. Reverb algorithms. More than 6 pages of refs] 5. An introduction to the phase vocoder (J. W. Gordon, J. Strawn) [Includes source code for a phase vocoder--a powerful method for synthesis, pitch shifting, time scale modification, etc.] [Comments by Quinn Jensen]. Curtis Road, ed., "Composers and the Computer", 201 pages, $27.95, ISBN 0-86576-085-3, pub: A-R Editions. John Strawn, ed., "Digital Audio Engineering", 144 pages, $29.95, ISBN 0-86576-087-X pub: A-R Editions. Deta S. Davis, "Computer Applications in Music: A Bibliography", 537 pages, $49.95, ISBN 0-89579-225-7, pub: A-R Editions. Ken C. Pohlmann, "The Compact Disc: A Handbook of Theory and Use", 288 pages, $45.95 (cloth) ISBN 0-89579-234-6, $29.95 (paper) ISBN 0-89579-228-1, pub: A-R Editions. Forthcoming books: Curtis Roads, "A Computer Music History: Musical Automation from Antiquity to the Computer Age" Joseph Rothstein, "MIDI: A Comprehensive Introduction" David Cope, "Computer Analysis of Musical Style" Dexter Morrill and Rick Taube, "A Little Book of Computer Music Instruments" Articles: James A. Moorer, "About This Reverberation Business", Computer Music Journal 3, 20 (1979): 13-28. (Also in Foundations of CM below). [Ok article, but you have to know basic DSP operations. --Juhana Kouhia] Check more articles from Journal of the Audio Engineering Society (JAES), for example more articles by Strawn. Note: books published by A-R editions can be ordered from: A-R Editions 801 Deming Way Madison, Wisconsin 53717 608-836-9000 (They accept VISA orders) [The above is largely from Quinn Jensen, jensenq@qcj.icon.com; Juhana Kouhia, jk87377@cc.tut.fi; William Alves, alves@calvin.usc.edu; and Paul A Simoneau, pas1@kepler.unh.edu] ========================================================================= Q1.2: Where can I get free software for general DSP? The packages listed below are mostly for general purpose DSP, that is, DSP that is not specific to a particular programmable DSP chip. See the later sections in the FAQ for software relevant to a particular programmable DSP chip. According to Brian Evans: "There was an entire session on this subject [free DSP software] at ICASSP '92, chaired by Dr. Sally Wood and Dr. James McClellan. It appears in Volume 4 of the Proceedings, pages 73-112. There will be another such session at ICASSP '93." [Brian Evans, evans@eedsp.gatech.edu] Much of the information below is from Brian's mail. -------------------------------------------------- Q1.2.1: What is Gabriel? Where can I get it? Package: Gabriel Description: Hierarchical block diagram environment for prototyping signal processing systems on single or multiple processors. Algorithms expressed in block diagram form can be simulated, and assembly code can also be generated for the Motorola DSP56001 and DSP96002. Gabriel has almost been obsoleted by Ptolemy, below. Platforms: sun 3, sun 4, X windows. Written in Lisp (lisp compiler supplied). Contact: Alan Kamas, aok@ohm.berkeley.edu. To obtain: Anonymous ftp to copernicus.berkeley.edu, and retrieve gabriel-license.shar. This is a shar file of licenses that you must sign and mail back to us (the old-fashioned way) before we can give you the source. Then we can tell you the password for an account that will allow you to FTP Gabriel. -------------------------------------------------- Q1.2.2: What is Ptolemy? Where can I get it? Package: Ptolemy Description: Hierarchical, heterogeneous block diagram DSP design environment. Supports simulation (dataflow and discrete event), code generation, and hardware modeling. All the features of Gabriel, but much cleaner and better designed. Platforms: sun 3, sun 4, DECstation, HP, VAX. X windows. Written in C++. Contact: Alan Kamas, aok@ohm.berkeley.edu. To obtain: Anonymous ftp to forney.berkeley.edu, and retrieve ptolemy-license.shar. This is a shar file of licenses that you must sign and mail back to us (the old-fashioned way) before we can give you the source. Then we can tell you the password for an account that will allow you to FTP Ptolemy. -------------------------------------------------- Q1.2.3: What is Khoros? Where can I get it? Package: Khoros Description: Block diagram simulator for image and video processing. 1-D signal processing is also supported. See the UseNet group comp.soft-sys.khoros. Platforms: sun 3, sun 4, others? X windows. Written in C. To obtain: Anonymous ftp to pprg.eece.unm.edu, cd /pub/khoros/release, get install.ftp. -------------------------------------------------- Q1.2.4: What are DSP Tutorials? Where can I get them? Package: DSP Tutorials Description: Computer aided instruction. Platforms: suns under SunView. Contact: Dr. Sally Wood, Electrical Engineering Department, Santa Clara University, Santa Clara, CA 95053. -------------------------------------------------- Q1.2.5: What are some DSP extensions to MATLAB? Where can I get them? Package: MATLAB user's group public domain extensions to MATLAB Description: The MATLAB Digest is issued at irregular intervals based on the number of questions and software items contributed by users. To make submissions to the digest, please send to hwilson@ua1vm.ua.edu with a subject: "DIG" and description. For the Pacific, try netlib@draci.cs.uow.edu.au located at the University of Wollongong, NSW, Australia. A plethora of toolboxes are available at FTP site: research.att.com (use netlib for the username) General index for the MATLAB User Group software library ---------------------------------------------------------- Currently there are the following subdirectories: approximation approximation theory archive old MATLAB user group digests control control theory dataanalysis data analysis and statistics graphics graphics programs integration numerical integration linearalgebra linear algebra utilities misc miscellaneous ode ordinary differential equations optimization as the name says pde partial differential equations rootfinding zero-finding routines specialfunctions special functions teaching for classroom use tools miscellaneous tools In order to get an index for a subdirectory (tools, say) send the message send index from MATLAB/tools to netlib@ornl.gov. In order to get some code, (unbundle in the `tools' directory, say), send the message send unbundle from MATLAB/tools to netlib@ornl.gov. FOR STUDENTS: Prentice Hall has published a student edition of matlab which contains a book and set of disks for PCs and Macs. The software is limited only in matrix size (32 x 32 matrix; 1024 elements) and in its ability to import or call C or Fortran subroutines. On the plus side, it is able to run without a coprocessor (it will use one if it is present) and it includes a subset of the Signal Processing and Controls Toolboxes, The Signals and Systems Toolbox, which provides for added functionality. Book only (about US$30): ISBN = 0138560064; Book + disk: (about US$50 ISBN=0-13-855974-0 for 3.5" or ISBN=0-13-855982-1 for 5.25 Macintosh version: ISBN=0-13-855990-2. There will be related books out by mid to late 1993 : Computer Aided Signal Processing with MATLAB, by Burrus, Oppenheim, McClellan, Parks, Schafer, and Schussler; and Signal Processing : A Computer Approach, by Etter. More books in this MATLAB Curriculum Series are planned. For general info: matlab@prenhall.com [From the Matlab Users Group (Editor, hwilson@ua1vm.ua.edu)] -------------------------------------------------- Q1.2.6: What are the Signal Processing Packages for Mathematica? Where can I get them? Package: Signal Processing Pacakages (SPP) and Notebooks. Description: Public domain extensions to Mathematica. Enables the symbolic manipulation of signal processing expressions: 1-D discrete/continuous convolutions and 1-D/m-D linear transforms (Laplace, Fourier, z, DTFT, and DFT). For linear transforms, you can specify your own transform pairs and see the intermediate computations. Great for showing students how to take transforms, or for deriving input-output relationships in a transform domain. Additional abilities include analog filter design, solving DE's using transforms, converting signal processing expressions to their equivalent TeX forms, and number theoretic operations (Bezout numbers, Smith Form decompositions, and matrix factors). Accompanying SPP are tutorial notebooks on analog filter design, Fourier analysis, piecewise convolution, and the z-transform (includes a discussion of fundamentals of digital filter design). These Notebooks illustrate difficult concepts (such as the flip-and-slide view of convolution) through animation. A Notebook reader is available in the public domain for Macintosh computers (a BinHexed version is on the ftp site). FOR STUDENTS: A student version of Mathematica is available for $175. The price includes a copy of the reference manual. The only drawbacks to the student version are that the floating point coprocessor is dis- abled and that upgrades cannot be ordered. Contact: Brian Evans, evans@eedsp.gatech.edu. To obtain: anonymous ftp to gauss.eedsp.gatech.edu (130.207.226.24). (available in UNIX, Mac, and MS-DOS archive formats). -------------------------------------------------- Q1.2.7: What is the Control Systems Analysis Packages for Mathematica? Where can I get them? Package: Control Systems Analysis Package (COSYPAK) and Notebooks Description: Public domain extension to Mathematica. Classical and state-space control analysis and design methods. The Notebooks supplement the material in the textbook "Modern Controls Theory" by Ogata. Largely based on the Signal Processing Packages (SPP, see above). Contact: Dr. Sreenath, sree@veda.esys.cwru.edu. To obtain: anonymous ftp veda.esys.cwru.edu (129.22.40.9). -------------------------------------------------- Q1.2.8: What are some other Mathematica DSP Notebooks? The following Mathematica notebooks can be ftped from ccrma-ftp.stanford.edu: pub/DSP/GenHamming.ma.Z Generalized Hamming windows pub/DSP/Kaiser.ma.Z The Kaiser window pub/DSP/WinFlt.ma.Z Digital filter design by the "window method" (There are other DSP related items in pub/DSP on ccrma-ftp; see other sections of this FAQ for details). -------------------------------------------------- Q1.2.9: What is the Linear Systems Toolbox for Maple? Where can I get it? Package: Linear systems toolbox for Maple. Description: Public domain extension to Maple. Contact: Tony Richardson, amr@mpl.ucsd.edu. To obtain: anonymous ftp to cameron.egr.duke.edu, file pub/maple/linsys1.2.tar.Z. -------------------------------------------------- Q1.2.10: Where can I get text to speech conversion software? Free (but not public domain) text to speech conversion software is available via anonymous ftp from wilma.cs.brown.edu in the pub directory as speak.tar.Z. It will compile and run on a SPARC's built-in audio after modifying speak.c with the path of your libaudio.h (e.g., /usr/demo/SOUND/libaudio.h). It's a simple phoneme concatenation system with commensurate synthesized speech quality (a directory of phoneme audio files is included). [Joe Campbell, jpcampb@afterlife.ncsc.mil] -------------------------------------------------- Q1.2.11: Where can I get filter design software? One source is the following: in the August 92 issue of IEEE Transactions on Signal Processing there is a paper entitled "METEOR: A Constraint-Based FIR Filter Design Program" by Kenneth Steiglitz, Thomas W. Parks and James F. Kaiser. They describe an FIR design program which allows specification of the target frequency response characteristics in a fairly generalised and flexible way. As well as designing filters, the program can optimise filter lengths and push band limits. The paper contains a footnote which says "Pascal and C versions of source code are available to anonymous ftp at princeton.edu in the directory /pub as meteor.p, form.p, meteor.c and form.c". True, they are. They appear to work. The Pascal versions have been put through p2c to get the C versions; all the needed Pascal library stuff is included in the C versions and they built error-free out of the box for me on an SGI machine. One catch is, there is no manual - you need the paper to know how to drive the programs. [Steve Clift, clift@ml.csiro.au] { There are other free filter design programs floating around out there, such as optfir/wfir. Does anyone know of ftp sites? } ============================================================================= 2. Algorithms and standards. This section deals with DSP algorithms and related standards. ======================================================================= Q2.1: Where can I get some algorithms for general DSP? The following archives contain things such as matrix operations, FFT's and generally useful things like that, as opposed to complete applications: (1) host ux1.cso.uiuc.edu - log in as anonymous, get the file math/README. It summarises the contents of the archive. (2) Netlib, which serves some of this software via email. Try mail to netlib@ORNL.GOV with "send help" in the subject field. For Europe: Internet: netlib@nac.no EARN/BITNET: netlib%nac.no@norunix.bitnet X.400: s=netlib; o=nac; c=no; EUNET/uucp: nac!netlib For the Pacific, try netlib@draci.cs.uow.edu.au For background about netlib, see Jack J. Dongarra and Eric Grosse, "Distribution of Mathematical Software Via Electronic Mail," Comm. ACM (1987) 30,403--407. A similar collection of statistical software is available from statlib@temper.stat.cmu.edu. The symbolic algebra system REDUCE is supported by reduce-netlib@rand.org. (3) The Naval Surface Warfare Center has a library of mathematical Fortran subroutines that may be of use. From the report itself: NSWC Library of Mathematical Subroutines Report No.: NSWC TR 90-21, January 1990 by Alfred H. Morris, Jr. Naval Surface Warfare Center (E43) Dahlgren, VA 22448-5000 U.S.A. Distribution: Approved for public release; distribution unlimited. Abstract: The NSWC library is a library of general-purpose Fortran subroutines that provide a basic computational capability in a variety of mathematical activities. Emphasis has been placed on the transportability of the codes. Subroutines are available in the following areas: Elementary Operations, Geometry, Special Functions, Polynomials, Vectors, Matrices, Large Dense Systems of Linear Equations, Banded Matrices, Sparse Matrices, Eigenvalues and Eigenvectors, l1 Solution of Linear Equations, Least-Squares Solution of Linear Equations, Optimization, Transforms, Approximation of Functions, Curve Fitting, Surface Fitting, Manifold Fitting, Numerical Integration, Integral Equations, Ordinary Differential Equations, Partial Differential Equations [Witold Waldman, witold@hotblk.aed.dsto.gov.au] { Does anyone know an FTP site for this library? } If you don't know where to find what you're after, try archie. ======================================================================= Q2.2: What are CELP and LPC? Where can I get the source for CELP and LPC? CELP stands for "code excited linear prediction". LPC stands for "linear predictive coding". They are compression algorithms used for low bit rate (2400 and 4800 bps) speech coding. The U.S. DoD's Federal Standard 1016 (FS 1016) based 4800 bps code excited linear prediction voice coder version 3.2 (CELP 3.2) Fortran and C simulation source codes are available for worldwide distribution at no charge (on DOS diskettes, but configured to compile on Sun SPARC stations) from: Bob Fenichel National Communications System Washington, D.C. 20305 1-703-692-2124 1-703-746-4960 (fax) Example input and processed speech files, a technical information bulletin, and the official standard "Federal Standard 1016, Telecommunications: Analog to Digital Conversion of Radio Voice by 4,800 bit/second Code Excited Linear Prediction (CELP)" are included at no charge. Unfortunately, a document that is a vital part of the CELP release package is not available in electronic form. Anyone serious interested in CELP should obtain the document: Details to Assist in Implementation of Federal Standard 1016 CELP. National Communications System, Office of Technology & Standards, 1992. Technical Information Bulletin 92-1. It is available from the above address. The 4800 bps CELP code is available via anonymous FTP on furmint.nectar.cs.cmu.edu (128.2.209.1111) in celp.audio.compression. It is unsupported, and has not been compiled or tested. This version takes a lot of CPU time. It is about 15 times slower than real-time. That is, to code 1 minute of speech takes about 15 minutes. It has directions on how to reduce the codebook search to make it faster, but they are only for the speech coding expert. The following article describes the FS 1016 4.8-kbps CELP coder: Campbell, Joseph P. Jr., Thomas E. Tremain and Vanoy C. Welch, "The Proposed Federal Standard 1016 4800 bps Voice Coder: CELP," Speech Technology Magazine, April/May 1990, p. 58-64. The U.S. DoD's Federal-Standard-1015/NATO-STANAG-4198 based 2400 bps linear prediction coder version 53 (LPC-10e v53) Fortran or C simulation source codes are available on a limited basis upon written request to: Tom Tremain Department of Defense Ft. Meade, MD 20755-6000 USA The U.S. Federal Standard 1015 (NATO STANAG 4198) is described in: Thomas E. Tremain, "The Government Standard Linear Predictive Coding Algorithm: LPC-10," Speech Technology Magazine, April 1982, p. 40-49. Copies of the official standards FS 1015 and FS 1016 are available for US $2.50 each from: GSA Rm 6654 7th & D St SW Washington, D.C. 20407 1 (202) 708-9205 Realtime DSP code for FS-1015 and FS-1016 is sold by several vendors, including: John DellaMorte DSP Software Engineering 165 Middlesex Tpk, Suite 206 Bedford, MA 01730 1-617-275-3733 1-617-275-4323 (fax) dspse.bedford@channel1.com and Analogic Systems 2916 Ramona Palo Alto, CA 94306 (415) 323-3232 DSP Software Engineering's FS-1016 code can run on a DSP Research's Tiger 30 or on Intellibit's AE2000 TMS320C31 based 3" by 2.5" card. See section 4.1 for more on these cards. Analogic's product runs on a 27 MHz DSP56001 chip. [Most of the above from Joe Campbell, jpcampb@afterlife.ncsc.mil, with additions from DanFrankowski, drankow@cs.umn.edu, and Ed Hall, edhall@rand.org] ======================================================================= Q2.5: What is ADPCM? Where can I get source for it? ADPCM stands for Adaptive Delta Pulse Code Modulation. It is a standard for speech compression and decompression. It takes 16-bit linear PCM samples samples and converts them to 4-bit samples, so the compression rate is 4x. There is public domain C code available via anonymous ftp at ftp.cwi.nl in /pub/adpcm.shar written by Jack Jansen (email Jack.Jansen@cwi.nl). It is very programmer-friendly. The ADPCM code used is the Intel/DVI ADPCM code which is being recommended by the IMA Digital Audio Technical Working Group. It allows the following calls: adpcm_coder(short inbuf[], char outbuf[], int nsample, struct adpcm_state *state); adpcm_decoder(char inbuf[], short outbuf[], int nsample, struct adpcm_state *state); The routines have been tested on an SGI Indigo running Irix 4.0.2 and on a Sparcstation 1+ running SunOS 4.1.1. On a Sun, the code will compress at 250Ksample/sec and decompress at 300Ksample/sec. On an SGI, the compressor runs at 350Ksample/sec and the decompressor at 700Ksample/sec. Note that this is NOT a CCITT G722 coder. The CCITT ADPCM standard is much more complicated, probably resulting in better quality sound but also in much more computational overhead. [From Dan Frankowski, drankow@cs.umn.edu; Jack Jansen, Jack.Jansen@cwi.nl] ======================================================================= Q2.4: How does pitch perception work, and how do I implement it on my DSP chip? Pitch is officially defined as "That attribute of auditory sensation in terms of which sounds may be ordered on a musical scale." Several good examples illustrating the subtleties of pitch perception are included in the "Auditory Demonstrations CD" which is available from the Acoustical Society of America, Woodbury, NY 10797 for $20. A good general reference about the psychology of pitch perception is the book: B.C.J. Moore, "An Introduction to the Psychology of Hearing", Academic Press, London, 1989. This book is available in paperback and makes a good desk reference. An algorithm implementation that matches a large body of psychoacoustical work, but which is computationally very intensive, is presented in the paper: Malcolm Slaney and Richard Lyon, "A Perceptual Pitch Detector," Proceedings of the International Conference of Acoustics, Speech, and Signal Processing, 1990, Albuquerque, New Mexico. The definitive papers describing the use of such a perceptual pitch detector as applied to the classical pitch literature is in: Ray Meddis and M. J. Hewitt. "Virtual pitch and phase sensitivity of a computer model of the auditory periphery. " Journal of the Acoustical Society of America 89 (6 1991): 2866-2682. and 2883-2894. The current work that argues for a pure spectral method starts with the work of Goldstein: J. Goldstein, "An optimum processor theory for the central formation of the pitch of complex tones," Journal of the Acoustical Society of America 54, 1496-1516, 1973. Two approaches are worth considering if something approximating pitch is appropriate. The people at IRCAM have proposed a harmonic analysis approach that can be implemented on a DSP Boris Doval and Xavier Rodet, "Estimation of Fundamental Frequency of Musical Sound Signals," Proceedings of the 1991 International Conference on Acoustics, Speech, and Signal Processing, Toronto, Volume 5, pp. 3657-3660. The classic paper for time domain (peak picking) pitch algorithms is: B. Gold and L. Rabiner, "Parallel processing techniques for estimating pitch periods of speech in the time domain," Journal of the Acoustical Society of America, 46, pp 441-448, 1969. Finally, a word of caution: Pitch is not single-valued. We can hear a sound and match it to several different pitches. Imagine the number of instruments in an orchestra, each with its own pitch. Even a single sound can have more than one pitch. See for example Demonstration 27 from the ASA Auditory Demonstrations CD. [The above from Malcolm Slaney, Apple Computer, and John Lazzaro, U.C. Berkeley.] ======================================================================= Q2.5: What standards are there for digital audio? What is AES/EBU? What is S/P-DIF? The "AES/EBU" (Audio Engineering Society / European Broadcast Union) digital audio standard is probably the most popular digital audio standard today. Most consumer and professional digital audio devices (CD players, DAT decks, etc.) that feature digital audio I/O support AES/EBU. AES/EBU is a bit-serial communications protocol for transmitting digital audio data through a single transmission line. It provides two channels of audio data (up to 24 bits per sample), a method for communication control and status information ("channel status bits"), and some error detection capabilities. Clocking information (i.e., sample rate) is derived from the AES/EBU bit stream, and is thus controlled by the transmitter. The standard mandates use of 32 kHz, 44.1 kHz, or 48 kHz sample rates, but some interfaces can be made to work at other sample rates. AES/EBU provides both "professional" and "consumer" modes. The big difference is in the format of the channel status bits mentioned above. The professional mode bits include alphanumeric channel origin and destination data, time of day codes, sample number codes, word length, and other goodies. The consumer mode bits have much less information, but do include information on copy protection (naturally). Additionally, the standard provides for "user data", which is a bit stream containing user-defined (i.e., manufacturer-defined) data. According to Tim Channon, "CD user data is almost raq CD subcode; DAT is StartID and SkipID. In progfessional mode, there is an SDLC protocol or, if DAT, it may be the same as consumer mode." There physical connection media are commonly used with AES/EBU: balanced (differential), using two wires and shield in three-wire microphone cable with XLR connectors; unbalanced (single-ended), using audio coax cable with RCA jacks; and optical (via fiber optics). "S/P-DIF" (Sony/Philips Digital Interface Format) typically refers to AES/EBU operated in consumer mode over unbalanced RCA cable. Note that S/P-DIF and AES/EBU mean different things depending on how much of a purist you are in the digital audio world; see the Finger article below. References: Finger, Robert, "AES3-199X: The Revised Two Channel Digital Audio Interface (DRAFT)", presented at the 91st Convention of the Audio Engineering Society, October 4-8, 1991. Reprints: AES, 60 East 42nd St., New York, NY, 10165. [The above from Phil Lapsley, phil@ohm.Berkeley.EDU, and Tim Channon, tchannon@black.demon.co.uk] ============================================================================= Q2.6: What is mu-law encoding? Where can I get source for it? Mu-law (also "u-law") encoding is a form of logarithmic quantization or companding. It's based on the observation that many signals are statistically more likely to be near a low signal level than a high signal level. Therefore, it makes more sense to have more quantization points near a low level than a high level. In a typical mu-law system, linear samples of 14 to 16 bits are companded to 8 bits. Most telephone quality codecs (including the Sparcstation's audio codec) use mu-law encoded samples. Desktop Sparc machines come with routines to convert between linear and mu-law samples. On a desktop Sparc, see the man page for audio_ulaw2linear in /usr/demo/SOUND/man. Craig Reese posted the source of similar routines to comp.dsp in August '92. References: CCITT Recommendation G.711 (very difficult to follow). Michael Villeret, et. al, "A New Digital Technique for Implementation of Any Continuous PCM Companding Law,", IEEE Int. Conf. on Communications, 1973, vol. 1, pp. 11.12-11.17. MIL-STD-188-113, "Interoperability and Performance Standards for Analog-to-Digital Conversion Techniques," 17 February 1987. "TI Digital Signal Processing Applications with the TMS320 Family", pp. 169-198. [From Joe Campbell; Craig Reese, cfreese@super.org; Sepehr Mehrabanzad, sepehr@falstaff.dev.cdx.mot.com] ============================================================================= Q2.7: How can I do CD <-> DAT sample rate conversion? CD players use a 44.1 kHz sample rate, whereas DAT uses a 48 kHz sample rate. This means that you must do sample rate conversion before you can get data from a CD player directly into a DAT deck. [From Ed Hall, edhall@rand.org:] For a start, look at "Multirate Digital Signal Processing" by Crochiere and Rabiner (see FAQ section 1.1). Almost any technique for producing good digital low-pass filters will be adaptable to sample-rate conversion. 44.1:48 and vice-versa is pretty hairy, though, because the lowest whole-number ratio is 147:160. To do all that in one go would require a FIR with thousands of coefficients, of which only 1/147th or 1/160th are used for each sample--the real problem is memory, not CPU for most DSP chips. You could chain several interpolators and decimators, as suggested by factoring the ratio into 3*7*7:2*2*2*2*2*5. This adds complexity, but reduces the number of coefficients required by a considerable amount. In any case, your local DSP guru will probably be able to suggest a good program for designing digital filters (this is a good general question for the net, anyway). This is one case where going beyond the simpler windowed-sinc-based approaches might pay off (and I'm afraid I can't recommend any readily available programs myself). ============================================================================= 3. Programmable DSP chips and software. This section deals with programmable DSP chips and their software. Q3.1: What are the available DSP chips and chip architectures? { This is based on a woefully inadequate databook collection. Anyone want to add to this list? Manufacturers want to submit anything? } The "big four" programmable DSP chip manufacturers are Texas Instruments, with the TMS320 series of chips; Motorola, with the DSP56000 and DSP96000 series; AT&T, with the DSP16 and DSP32 series; and Analog Devices, with the ADSP2100 series. A good overview of prorammable DSP chips is published periodically in EDN magazine. The most recent version is from Sep. 17, 1992, pp. 90-141. Here's a less ambitious chip breakdown by manufacturer: ------------------------------------- Texas Instuments: TMS320C1x: family of low cost fixed-point DSP's; 16 bit data, 32 bit registers; Various RAM and ROM configurations; 16 bit I/O bus, serial ports. TMS320C25: 50MHz fixed-point DSP; 16 bit data, 32 bit registers; 12.5 MIPS @ 50MHz. TMS320C30: 27/33/40 MHz floating point DSP; 32 bit floating point, 24 bit fixed point data, 40 bit registers; DMA controller; dual serial ports; some support for multi-processor arrays. TMS320C31: version of C30 minus peripheral bus, one serial port, and the 4Kx32 internal ROM. ~$20, 132 pin PQFP. TMS320C40: 40/50 MHz floating point DSP; extensive parallel processing support through 6 buffered byte-wide 20 Mb/s links and 6 channel DMA; cache. TMS320C50: enhanced TMS320C25 (double throughput); low overhead looping; 10 Kwords SRAM on chip. ------------------------------------- Motorola: DSP56001: 20.5, 27, or 32 MHz fixed point DSP. 24 bit data bus, 16 bit address bus, 56 bit accumulators (2), host interface port, serial ports (2), general purpose I/O pins, timer. Harvard architecture. 512 words program RAM, 512 words data RAM on chip. DSP56000: Mask-programmed version of DSP56001. DSP56002: DSP56001 with On-Chip Emulation (OnCE) debug port and clock PLL. Also has a four cycle double precision multiply and support for block floating point. Available up to 40 MHz. DSP56156: 40, 50, or 60 MHz fixed point DSP; 16 bit data bus, 40 bit accumulators (2), host interface port, serial ports (2), timer, OnCE debug port, clock PLL, 14 bit sigma-delta voice band CODEC, 2K words program RAM, 2K words data RAM on chip. DSP96002: IEEE format floating point DSP; 32 bit data and address bus, two complete external buses; Harvard architecture. ------------------------------------- AT&T: DSP32C: floating point DSP; 32 bit floating point, 16/24 bit fixed point data. DSP3210: floating point DSP; 32 bit floating point, 16/32 bit fixed point data; 32 bit address and data bus, serial port. [and others; we don't have a good list, unfortunately]. ------------------------------------- Analog Devices: ADSP2100: 32 and 50Mhz fixed point DSP (8 MIPS, 12.5MIPS). 16 bit registers except for multiplyer-accumulate register which is 40 bits. No on chip memory except for a 16 word instruction cache. ADSP2101: Derived from ADSP2100, 16 bit registers except for the multiplier accumulator which is 40 bits. 2Kx24 instruction/data ram in program memory space, 1Kx16 data ram in data memory space. Adds memory, timer, serial ports, etc. to the 2100. Fastest speed grade in production is 16.6 MHz (16.6MIPS). ADSP2102: Ram/rom version of 2101; user selects how much of the 2kx24 program memory is mask rom. ADSP2103: 3V version of the 2101. ADSP2105: 10Mhz fixed point DSP with 1 serial port, timer and 1kx24 instruction/data ram in program memory space, and 512 word data ram in data memory space. This processor sells for US $9.90 in any quantity. ADSP2111: adds a 8/16bit host interface port [to 2101?]. ADSP21msp50: ADSP2111 with an on chip a/d and d/a interface and additional low power modes. ADSP2161: has 8Kx24 mask rom. DSP21020: 20/25/33 MHz floating-point DSP; Supports 32-bit fixed point, IEEE format 32-bit floating point, and 40-bit floating point; 40-bit registers plus two 80-bit fixed-point multiply-accumulators; Harvard arch. with 32 word instruction cache allows two data accesses in a single cycle; IEEE 1149.1 JTAG boundry scan; 33.3 MIPS @ 33.3 MHz. ADSP21010: Slower and cheaper version of '020 (16 MHz). Limited to 32-bit fixed and floating point. All of the processors (except the 2100) use a 1X instruction clock and use an on chip PLL to generate an internal 4X clock. All processors have an extended Harvard architecture which allows two data fetches and an instruction fetch every cycle in parallel with an alu or mac operation. All instructions including accessing external memory can complete in 1 cycle. [Greg Koker, greg.koker@analog.com] ======================================================================= Q3.2: Software for Motorola DSPs. ======================================================================= Q3.2.1: Where can I get a free assembler for the Motorola DSP56000? A free assembler for the Motorola DSP56000 exists, thanks to Quinn Jensen, jensenq@qcj.icon.com. The current version is 1.1, and it is posted to alt.sources, so look for it on mirrors of that newsgroup (like wuarchive.wustl.edu). ======================================================================= Q3.2.2: Where can I get a free C compiler for the Motorola DSP56000? There are two separate compiler sources for the Motorola DSP56000. One is the port of gcc 1.40 done by Andrew Sterian (asterian@eecs.umich.edu) and the other is a port of gcc 1.37.1 done by Motorola and returned to the FSF. Andrew's port has bowed to Motorola's version. Both may be portable to gcc2.x.x with some effort required. Neither of these comes with an assembler, but you can get a free DSP56000 assembler elsewhere (see Q3.2.1 above). The Motorola gcc source is available for FTP from: nic.funet.fi ~pub/ham/dsp/dsp56k-tools/dsp56k-gcc.tar.Z evans.ee.adfa.oz.au pub/micros/56k/g56k.tar.Z From Andrew Sterian, asterian@eecs.umich.edu: My DSP56156 port is still the only DSP56156 compiler around and I have just released an updated version of it. Both this compiler and the previous incarnation are archived on wuarchive.wustl.edu (in the usenet/alt.sources directory) amongst other places. ======================================================================= Q3.2.3: Where can I get algorithms and libraries for Motorola DSPs? What is the number for the Motorola DSP BBS? Motorola runs "Dr. Bub", a bulletin board for DSPs containing source code for various libraries and algorithms. You can call it at (512) 891-3771 (9600, 4800, 2400, 1200 bps) or (512) 891-3773 (2400/1200/300 bps). Format is 8 data bits, no parity, 1 stop bit). Log in as "guest" to browse the system, or you can open an account by entering "new" at the account name prompt. [John Fisher, johnf@dsp.sps.mot.com] Alternatively, Dr. BuB is mirrored on the following sites: calvin.stanford.edu (36.14.0.43) in /motorola bode.ee.ualberta.ca (129.128.16.96) in /pub/dos/motorola nic.funet.fi (128.214.6.100) in /pub/misc/motorola doc.ic.ac.uk (146.169.3.7) in /computing/systems/motorola/digital-signal-processing/dr.bub.sources Also try nic.funet.fi in /pub/ham/dsp for a lot of good stuff on communications uses, including some hardware. ccrma-ftp.stanford.edu also has a variety of DSP code (much of it NeXT specific, see below), including the following for the DSP56000: pub/clm.tar.Z "CLM", a package aimed mainly at composers doing computer music in Common Lisp, but includes a Lisp 56000 assembler, debugger, loader, large libraries of DSP56000 routines useful in computer music, and a compiler from a subset of Common Lisp to DSP56000 code. [bil@ccrma.stanford.edu] ======================================================================= Q3.2.4: Where can I get NeXT-compatible Motorola DSP56001 code? Try the following from ccrma-ftp.Stanford.EDU: DSP programs for the NeXT platform: pub/DSP/resample.tar.Z Audio sampling-rate conversion and FIR filter design. pub/DSP/ResoLab2.1.tar.Z Interactive filter instrument; sources now included, online help. pub/DSP/Spectro.Z Spectrum analysis tool, with source code. pub/DSP/WaveFormEditor.tar.Z Jean Laroche's real-time waveform editor, with DAJ's additions. DSP programming examples for the NeXT platform: pub/DSP/dsp_dma_stream.tar.Z Fast DSP DMA programming example (two-way DMA). pub/DSP/JeanLaroche.tar.Z Low-level sound and DSP programming examples and docs. [bil@ccrma.Stanford.EDU] ======================================================================= Q3.3: Software for Texas Instruments DSPs. ======================================================================= Q3.3.1: Where can I get algorithms or libraries for TI DSPs? What is the number for the TI DSP BBS? nic.funet.fi has some old, apparently public domain, assembler and related tools from TI for the TMS320 family. [Antti-Pekka Virtanen, antsu@utu.fu] The TI DSP bulletin board is at (713) 274-2323 (300, 1200, 2400, or 9600 bps; 8 data, 1 stop, no parity). evans.ee.adfa.oz.au has a mirror of the TI DSP bulletin board in "mirrors/tibbs". See the "00README" file at the top of the directory tree for info. Please restrict FTP session to outside of 8 am to 6 pm local time (10 pm to 8 am GMT). [Brad Hards, hards4@ee.adfa.oz.au] { If anyone knows of any other sources for TI DSP software, please let us know at comp-dsp-faq@ohm.Berkeley.EDU. Thanks! } ======================================================================= Q3.3.2: Where can I get a free C compiler for the TI TMS320C30? Sonitech (see vendors list) has a gcc based TMS320C30 C compiler that was originally done Computer Motion. Sonitech sells it for $995, but under the terms of the Gnu Public License, other people can then give it away. While we haven't heard of any ftp sites yet, there are bound to be some soon. ======================================================================= Q3.4: Software for Analog Devices DSPs. ======================================================================= Q3.4.1: Where can I get algorithms or libraries for Analog Devices DSPs? What is the number for the Analog Devices DSP BBS? The number for the Analog Devices DSP BBS is (617) 461-4258 (300, 1200, 2400, 9600, 14400 bps), 8N1. [Greg Koker, greg.koker@analog.com] { If anyone knows of other sources for Analog Devices DSP software, please let us know at comp-dsp-faq@ohm.Berkeley.EDU. Thanks! } ======================================================================= Questions, comments, or submissions for this FAQ should be mailed to comp-dsp-faq@ohm.Berkeley.EDU, ...!ucbvax!ohm!comp-dsp-faq. Thanks!